Vasily Petrenko delivered a breathtaking rendition of Mahler’s Das Lied von der Erde at the 2026 Salzburg Festival, creating an unmatched atmosphere in one of the world’s premier venues. Audiences experienced profound chills from the subtle expressions brought to life in the mountain-carved Felsenreitschule.
Discovering the Felsenreitschule’s Majesty
On June 6, the Salzburg Festival’s Felsenreitschule—originally the ‘Felsenreitschule’ for The Sound of Music—hosted this pinnacle performance. Carved directly into the rock, the venue offers an immersive experience unlike any opera house. Officials confirm it represents the festival’s highest achievement for such grand choral works.
‘Just glancing around makes it seem amateurs could manage, but the orchestra pit tells a different story.’
This unique setting amplifies the emotional depth, with rock faces displaying fresh moss that highlights delicate nuances in the score.
Petrenko’s Commanding Vision
Kirill Petrenko, Berlin Philharmonic’s chief conductor, transforms Salzburg’s offerings into vivid reality. He positions the audience mere meters from the stage, enveloping them in the music’s embrace. Tenor Kim Ki-hoon shone as the ‘Youth’s Song’ soloist, conveying poignant farewell emotions in the finale.
The 2-hour-20-minute symphony unfolded without intermission, demanding total immersion. Screen visuals and Mahler’s lodge imagery enhanced the central movements, while Brentano and Laio En’s rogue gazes pierced the soul. No single emotion dominated; pure musical thrill prevailed.
Key Highlights from the Performance
- Venue Innovation: Originally an open-air riding school, now a rock-enclosed acoustic marvel.
- Soloists Excel: Contralto Gerhaher delivered heartfelt solos; Kim Ki-hoon’s tenor evoked deep nostalgia.
- Audience Impact: Even non-oratorio fans left profoundly moved by the majestic sound.
Petrenko’s Berlin Philharmonic interpretations rank among the finest, even for non-purists. Next year’s Balakirev promises further elevation. This production reaffirms Mahler’s masterpiece as a timeless draw for grand repertoires.
